Bluecrowne

FAQs: The Left-Handed Fate and Bluecrowne

As of today, 35 DAYS TO THE LAUNCH OF THE LEFT-HANDED FATE!

9780805098006_FCAnd, predictably, I still keep forgetting to post here. On the other hand, I do have at least one good reason: I’m working like crazy to get The Illustrated Bluecrowne PDF ready for release before the LHF launch at the end of August. And since Bluecrowne is so closely related to The Left-Handed Fate (and since a forthcoming review actually refers to LHF as a sequel to Bluecrowne), I thought it would be good to talk a little about these two books and how they’re related.

Bluecrowne_Cover2Bluecrowne is part of an endeavor I call the Arcana Project, which is a series of short novels set in the same world as The Boneshaker, The Broken Lands, Greenglass House, and The Left-Handed Fate—all of which are related to one degree or another, but all of which are stand-alone tales that can be read independently of the others. The Arcana books are meant to provide additional tales and, in some cases, show how certain books are related to others. I don’t publicize them heavily because I imagine them kind of like Easter eggs—if you find them, good for you! Enjoy. If not, no big deal. I had fun writing them. So far, there are two books, The Kairos Mechanism and Bluecrowne. The Kairos Mechanism takes place after the events of The Boneshaker; Bluecrowne takes place before the events of The Left-Handed Fate. Here are some FAQs I get about how these books are all connected.

Q: I see that some of the characters in The Left-Handed Fate appear in an earlier book, Bluecrowne. Is The Left-Handed Fate a sequel? Do I need to read Bluecrowne first?

A: YOU DO NOT HAVE TO READ BLUECROWNE FIRST. The events of Bluecrowne take place first; however, both are truly standalone stories. (Bluecrowne is also the backstory of the building of Greenglass House, for instance, and explains the origins of two key clues to the mysteries Milo and Meddy solve, but I am completely certain that most people who read Greenglass House are entirely unaware of Bluecrowne‘s existence.) If you have (or do) read Bluecrowne before The Left-Handed Fate, hooray! You’ll definitely have insider information, including insight into Liao’s pyrotechnical gifts and the reason Lucy and her father aren’t excited to return to Nagspeake. But if you haven’t or choose not to read it, no big deal.

Q: Ok, cool. How do I get Bluecrowne if I want it?

A: You have three options.

  • You can get the ebook right now in the format of your choice from any of the usual ebook retailers. You’ll see that there are two versions, and one is more expensive than the other. The more expensive version is called the Kickstarter Edition, and it includes a bonus story from The Raconteur’s Commonplace Book (which you will know of if you’ve read Greenglass House).
  • You can get the paperback very rapidly (how fast depends on your shipping preferences) from McNally Jackson Books, where the books are printed using the Espresso Book Machine. If you want your copy signed or personalized, there is a field in the online order form where you can request that (note that I’m only there once a week, so signed copies might be delayed until I’m next in). Order here, or you can call the store directly to order by phone (212-274-1160). Bonus: on most Saturdays, if you call between 10 and 6, there’s a high probability I’ll be the one answering the phone! Hi!
  • You can read it free (or pay what you choose) starting sometime in August when The Illustrated Bluecrowne ebook is released. Right now I’m waiting for the last few pieces of original art from the young illustrators, but I expect to have it finished and available for download by mid-August or thereabouts. It’ll be a PDF, so it should work for you whatever kind of reader you use, and I’ll add a link here as soon as it’s ready. The art, by the way, is really outstanding. I can’t wait to share it with you. Preorder here.

Q: A free illustrated version? What’s that about?

A: As part of the Kickstarter-funded publication budget of the Arcana books, I included funds for a digital edition that would be illustrated by young reader artists and offered free or pay whatever, with the idea that I wanted the artists to be able to share their work at no cost to their friends and families. (Any money contributed by readers who do choose to pay goes into the pot for the next book’s illustrators.) The artists are between 11 and 21, and each used a style of his/her own choosing. It is, hands down, my favorite part of the project.

Q: I see the Bluecrowne paperback says “Arcana, Volume 2” on the spine. Do I have to read The Kairos Mechanism first? WHY IS THIS SO CONFUSING, KATE?

It was odd because they were strangers, and because they came in on foot. It was odd because of what they carried.

A: You do not need to read The Kairos Mechanism before Bluecrowne (although if you want to, you can follow all the same info above to get it in ebook or paperback (order the paperback here, and the free-or-pay-whatever illustrated version is here). Like Bluecrowne, it’s a standalone story, although it is definitely more closely tied to The Boneshaker. As for why it’s so confusing: I overcomplicate things. There. I said it. It’s just who I am.

Q: I’ve read the Arcana books and I was really hoping you’d have one coming out this year, but I haven’t heard anything. Are you doing another Arcana book?

A: Yes. Two more at least. But not this year. I have discovered to my shock that my ability to turn out three thousand words a day disappeared the day I had a kid. So here’s what’s coming down the pike: hopefully first, possibly as early as next fall, will be The Raconteur’s Commonplace Book. Additionally, I have an as-yet-untitled adventure featuring Sam and Jin from The Broken Lands. Kickstarter backers of Bluecrowne will get an advance peek and free digital copies, because this book arose from a short story I promised as a bonus reward during the Bluecrowne campaign that turned out not to be a short story at all.

Here’s hoping that clears up the relationship between Bluecrowne and The Left-Handed Fate. Any other questions you have, pop them into the comments!

 

It’s the Greenglass House Launch Party, and You’re Invited!

The Nagspeake Board of Tourism and Culture 
Cordially Invites You to Join Author Kate Milford and Illustrator Jaime Zollars 
in Celebrating the Launch of 

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Tuesday, August 26th at 7pm
Hosted by McNally Jackson Bookmongers
52 Prince Street
Between Mulberry and Lafayette Streets
Soho, NYC

Light refreshments and a story will be provided. All ages are welcome. 

Can’t join us in person? The first 20 web preorders at McNally Jackson will include a copy of the special-edition novella, Bluecrowne, free.

Countdown to the Release of Bluecrowne

BluecrowneCoverWrongSizeSuddenly it’s June, and I really don’t know where May went. But this weekend I’ve been running QA on the Bluecrowne ebooks, and within the next week we’ll go to press with the paperbacks (which clocked in at 279 pages long!), so I wanted to leave a quick note here for those who are wondering how to get their hands on the book.

The ebook should launch by the end of this week, available in all formats (DRM-free) including PDF, and retailing for $5.99. The paperback should (crossing my fingers that what I say is true, but I do believe that it is) be available and shipping by the end of next week. It will retail for $16.99*, although, as with The Kairos Mechanism, I will have a bundled book+PDF+media rate shipping package available as well.

So, how do you get your copy?

READERS-IN-GENERAL:

At special early-bird prices, you can pre-order the PDF here and the paperback+PDF+domestic media rate shipping here. Fancier/international shipping are also available at cost–just drop me an email and let me know where you are and how fast you’d like your book to arrive. The pre-order prices will last through July 3.

The ebook will be available through all the major channels, but for extra points I encourage you to purchase through Vook, because it’s a better deal for me as the author (you still get your choice of DRM-free formats for iBooks, Nook, Kindle, or Kobo). The PDF will remain available through Gumroad. I’ll add relevant links as soon as they’re live.

The paperback will be available either through me (bundled with PDF, domestic media-rate shipping included) or through McNally Jackson Books (book only, shipping according to store policy). Again, links forthcoming.

TEACHERS/LIBRARIANS/BOOKSTORES:

I have a very limited supply of books from the print run paid for by Kickstarter that I can make available to you for use in your schools, libraries, and student book clubs, but when the first printing runs out, sadly, that’s the end of that. Retailers, same thing goes.

*You may be thinking, that looks a lot more like the price for an adult paperback than for a juvenile paperback, and you’re right. The higher cost is due to the higher cost of printing on McNally Jackson’s Espresso Book Machine, which I chose to do for two reasons: 1) It’s a way I can support my favorite independent bookstore; and 2) It prints far more beautiful books than most POD services do. I don’t make much money on the deal, but you get a really gorgeous book and we both get to support a really wonderful and (I think) important store. I promise you won’t be disappointed.

The Final Week of Bluecrowne on Kickstarter Begins Today!

Hurry, hurry, hurry! There’s still time, but Bluecrowne is counting on you. Yes, you! If you’ve been thinking about contributing to the campaign, now’s the time. Read on for a reminder of what you have to look forward to as a backer of Bluecrowne, or click here if you don’t need convincing and just need to know where to go to join the fun.

1) The Illustrated Bluecrowne. This is the big reason for the campaign. This is why it can’t be done without you. We are hiring a group of young artists to illustrate the book, each in the style of his or her choosing. They will be paid for their work. There will be around 15 artists creating about 20 pieces of art for The Illustrated Bluecrowne, and their edition will be free or pay-what-you-like, so that their friends and family can share their accomplishments without having to pay to do it.

2) New reading material right away. Backers have already gotten their first bonus short story, The Lock, as a celebration of hitting 50%. The next one comes at 75% ($6000), which is only $1350 away at the time of this writing.

3) Great rewards! The art is going fast, but there’s still one signed Greenglass House print by Jaime Zollars, and I’ve just added four signed prints by Andrea Offermann.

4) Oh, and yeah! A new, full-length, stand-alone novel of historical fantasy. You can read the entire first chapter here.

The campaign ends at 11am on Friday, April 25th. Find more info here, including links to The Illustrated Kairos Mechanism, a video of one of the artists at work, and rewards, rewards, rewards. You know you wanna!

Novellablog: Final Cover Time!

Without further ado:

Bluecrowne_Cover2

Isn’t it beautiful? As she did with The Kairos Mechanism, Andrea Offermann used hand-cut paper for the silhouetted “ironwork.” Miwako Feuer hand-drafted the title. I sat back and watched them work, because I am useless when it comes to visual arts and design. Thanks to historian and author David Antscherl for making sure we had the correct type, size, and rigging for the cutter in the center image.

Time’s running out for Bluecrowne, though. Only 10 days are left as of this writing (Monday), and we’re only at 50%. Remember that the bulk of the budget goes to hiring young reader artists to create art for the illustrated digital edition. Without the success of the Kickstarter campaign, that won’t happen. So if you’re a fan of fantasy or a fan of kids participating in storytelling, get on over to the Bluecrowne Kickstarter page and do what you can!

 

Novellablog: On Swearing in Middle Grade and the Need for It (or Not)

I read three things this week that made me think this might be a post worth writing. One was Patrick Ness’s post in this year’s Battle of the Kids’ Books, in which he had to decide whether Far Far Away or Boxers and Saints would proceed to the next round. Full disclosure: I have not read either of these books, so I can’t comment on whether I agree or disagree on the points he made as they relate to these specific titles, but something he said that resonated with me was this: “I found the book false in the most objectionable way: the teenagers aren’t allowed to be real people.”

Fast forward to yesterday, when I finished reading Aaron Starmer’s The Riverman. Two points of full disclosure here: I consider Aaron a friend and the book’s very much about storytelling and its consequences, so I was probably somewhat predisposed to like the book. Not surprisingly, I loved it. But I also appreciated the fact that the characters who peopled it were painfully real, and full of the flaws and bizarre contradictions and oddball tensions and perceived inadequacies and irrational behaviors that kids aged 12, 13, and 14 are knit from. It so completely brought back the constant fear and tension and uncertainty that I remember acutely from those days, even now at age 37. These kids say things and do things that make me cringe, and that’s before the actual primary (and terrifying) plot gets going. That’s just life for these kids. And it feels true. The stakes feel high before anything even happens. But I’ll tell you what: this is a book that will put some people’s backs up, if they happen to pick it up thinking something like, “Oh, this looks like a nice creepy middle-grade romp.” And by some people, I mean some adults.

I don’t actually remember whether there was any particular use of salty language in The Riverman. There must have been; if not actual swearing, then certainly there were at least occasional discussions of the sorts of untoward subjects that almost-teenaged boys talk about. But let’s go back to Patrick Ness, who definitely called out the use of “zounds” rather than something harsher in Far Far Away as pulling him out of the story. Now, again, while Far Far Away is definitely on my TBR pile, I haven’t gotten to it yet, so I have no opinions on the author’s choice of expletive; this post is not about critiquing Mr. McNeal’s choices. (I am still really, really looking forward to finally reading Far Far Away.) And this is not to argue that every book for kids or teens needs to have heavy cursing, or even cursing at all, in it. Not every book does, which should hopefully be obvious. But when I read Mr. Ness’s comments, I thought immediately of an email I’d gotten from a teacher I’d asked to read a late draft of Bluecrowne when I needed fresh eyes, in which he’d more or less called me out for not letting my protagonist be a real person in a couple moments where I’d reined her in.

On Twitter I said that he’d told me Lucy Bluecrowne didn’t swear enough, but that’s not entirely true (that was my paraphrasing for amusement value). What he did was to point out a couple instances in which I’d pulled my punches when writing Lucy’s responses to things. This is a girl, he pointed out, who would know how to swear. (And boy, is that ever true.) I’d written a couple places where the idea that she wouldn’t have reacted with at least one sharp word was kind of unbelievable. He was kind enough not to put it that way, but he was right.

The challenge, I think, is this: write real kids. It can be put that simply, but it isn’t simple at all, and of course language is just one part of the elusive formula. For many writers who also happen to be adults, it’s easy to err on the side of writing kids either as we see them through our own (not always accurate and not always relevant) memories, or as we want to believe they are. Or, worst of all, we write gentler versions of our young characters because we’re afraid we’ll put people’s backs up if we don’t. 

Some stories are gentle, and this post is irrelevant to those books. Some books are about or for younger kids, and generally this post is irrelevant to those books, too. I’m not suggesting Charlotte’s Web would’ve been improved by some saltier language, I promise you; I’m pretty sure I left the hard stuff out of Greenglass House, for instance, because it just wasn’t called for. And softer language choices are only one way in which we, as writers, sometimes pull our punches. But when writing MG it’s important to challenge ourselves to write real kids, because we’re writing for real kids. It does get tricky sometimes when writing older MG, which sometimes walks the MG/YA line as if it were a tightrope and which sometimes makes adults uncomfortable in the same way kids of that age sometimes make adults uncomfortable. But it’s a challenge worth taking up.

Thoughts for a Thursday. Discuss?

 

Novellablog: Bluecrowne At the One Week Marker

One week down. 30% in the coffers. This is where we are: 40 backers have pledged $2445 towards our goal of $8000. It’s all so exciting! And so many wonderful friends are helping to spread the word through Twitter, Facebook, and their blogs. I can’t thank you all enough. Watching the numbers climb in these first days has been just amazing. You can take a look at the progress here at the Bluecrowne campaign page. As you’ll see, things are looking great, but we still have a long way to go. Original art is going fast, but there’s still time. There are also 3 copies remaining of Jaime Zollars’ signed Greenglass House cover prints. Remember how awesome the Greenglass House cover is? Here it is (picture it without my name and the title). Who doesn’t want that for their wall? I mean, really. I want one for my wall.

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So what am I, and the rest of the Bluecrowne team, up to during the campaign?

Well, I just turned in the first pass of Greenglass House. This was really exciting, because it’s the first set of editorial notes I’ve gotten since a pretty sizeable rewrite I did right before the Greenglass ARCs were printed. You might figure (and you’d be absolutely right) that my editor would never let ARCs go to press if she wasn’t happy with what I’d done. And yet it’s still an incredible relief to have the notes in your hand and see that they’re mostly about weird comma splices and places where you used the same word three times in two pages. Reviewing and approving and fixing all those edits took about a week and a half.

Meanwhile, Rachel is finishing up editing on Bluecrowne, and Miwako is finishing the titling for the cover, which she decided to hand-draft rather than use an existing font. It looks amazing, and I can’t wait to share the final front cover with you. My next task is to write the back text so that we can lock down the back cover; then it’ll be time to tackle Rachel’s notes and get the text locked, too. In the meantime, I have a few guest posts to tackle for blogs who are helping to pass the word about the Bluecrowne campaign.

I also have some prep to do for three upcoming appearances I couldn’t be more excited for.

On April 14 at McNally Jackson Books I’m honored to be helping, along with fellow author-booksellers Sarah Gerard, Carly Dashiell, Fiona Duncan, and Julie Carlisle, to launch Beth Steidle’s illustrated novel The Static Herd, which is being published this month by Calamari Press. Beth is an author, artist, and designer, and also one of the masterminds behind McNally Jackson’s Espresso Book Machine department. I couldn’t be more excited for Beth, or to be reading alongside the amazing women I’ll be joining. It’s going to be a totally varied group of readers–meaning, and I can’t stress this enough, it’s not a kids’ book event. (I, therefore, am going to have to really think about what I’m going to read. After all, as Madeleine L’Engle said, “If the book will be too difficult for grown-ups, then you write it for children.” Maybe Walker’s first appearance in The Broken Lands? Everybody likes a villain. Thoughts?) 

In May, I’m joining Aaron Starmer and Laurel Snyder at NESCBWI for a panel on 5/3 called The Blurry Space of Thirteen. This one’s going to be great, and we all think this is a topic that really needs more discussing in the kidlit world. Many of us get our backs up when younger kids’ books get referred to as YA, as if bookstores were shelving Charlotte’s Web alongside The Hunger Games and teachers, librarians, or authors recommending or writing them for the same readers. But even among the books classified as MG, there’s still a huge age range represented. We serve readers as young as 7 and 8 up to 13 and 14, and while we call this entire range middle-grade, these are very different kinds of readers. We’ll be discussing the need for tackling truly thorny issues in MG. I have high hopes for a truly great discussion.

Lastly, on May 17th at 4pm, in honor of the ABA’s Indies First Storytime day, I’m joining a group of 12 middle-grade authors for a dramatic reading from The Phantom Tollbooth at McNally Jackson Books. This is going to be wicked fun, and I hope many of you will come out to join us. The cast includes such luminaries as Adam Gidwitz, Michael Northrop, Natalie Standiford, Matthew Cody, Jeffrey Salane, Courtney Sheinmel, Kekla Magoon, Sophie Blackall, Claire LeGrand. Barbara Marcus of Random House Children’s Books will be narrating as well as moderating a discussion afterwards. Then we’ll all hang around and sign books. It’s going to be great.

Oh, and this weekend my sister and I are running a ten-mile race neither of us precisely trained for. The heckling from our husbands has already begun.

So that’s the report from Milford Command Central! Basically, yay for a great start, but the heavy lifting’s far from over. Thanks to the early supporters! Keep spreading the word, and let’s make this happen!

K