Tag Archives: Kickstarter

Countdown to the Release of Bluecrowne

BluecrowneCoverWrongSizeSuddenly it’s June, and I really don’t know where May went. But this weekend I’ve been running QA on the Bluecrowne ebooks, and within the next week we’ll go to press with the paperbacks (which clocked in at 279 pages long!), so I wanted to leave a quick note here for those who are wondering how to get their hands on the book.

The ebook should launch by the end of this week, available in all formats (DRM-free) including PDF, and retailing for $5.99. The paperback should (crossing my fingers that what I say is true, but I do believe that it is) be available and shipping by the end of next week. It will retail for $16.99*, although, as with The Kairos Mechanism, I will have a bundled book+PDF+media rate shipping package available as well.

So, how do you get your copy?

READERS-IN-GENERAL:

At special early-bird prices, you can pre-order the PDF here and the paperback+PDF+domestic media rate shipping here. Fancier/international shipping are also available at cost–just drop me an email and let me know where you are and how fast you’d like your book to arrive. The pre-order prices will last through July 3.

The ebook will be available through all the major channels, but for extra points I encourage you to purchase through Vook, because it’s a better deal for me as the author (you still get your choice of DRM-free formats for iBooks, Nook, Kindle, or Kobo). The PDF will remain available through Gumroad. I’ll add relevant links as soon as they’re live.

The paperback will be available either through me (bundled with PDF, domestic media-rate shipping included) or through McNally Jackson Books (book only, shipping according to store policy). Again, links forthcoming.

TEACHERS/LIBRARIANS/BOOKSTORES:

I have a very limited supply of books from the print run paid for by Kickstarter that I can make available to you for use in your schools, libraries, and student book clubs, but when the first printing runs out, sadly, that’s the end of that. Retailers, same thing goes.

*You may be thinking, that looks a lot more like the price for an adult paperback than for a juvenile paperback, and you’re right. The higher cost is due to the higher cost of printing on McNally Jackson’s Espresso Book Machine, which I chose to do for two reasons: 1) It’s a way I can support my favorite independent bookstore; and 2) It prints far more beautiful books than most POD services do. I don’t make much money on the deal, but you get a really gorgeous book and we both get to support a really wonderful and (I think) important store. I promise you won’t be disappointed.

Novellablog: Bluecrowne At the One Week Marker

One week down. 30% in the coffers. This is where we are: 40 backers have pledged $2445 towards our goal of $8000. It’s all so exciting! And so many wonderful friends are helping to spread the word through Twitter, Facebook, and their blogs. I can’t thank you all enough. Watching the numbers climb in these first days has been just amazing. You can take a look at the progress here at the Bluecrowne campaign page. As you’ll see, things are looking great, but we still have a long way to go. Original art is going fast, but there’s still time. There are also 3 copies remaining of Jaime Zollars’ signed Greenglass House cover prints. Remember how awesome the Greenglass House cover is? Here it is (picture it without my name and the title). Who doesn’t want that for their wall? I mean, really. I want one for my wall.

ggh__jkt_nospine (1)

 

So what am I, and the rest of the Bluecrowne team, up to during the campaign?

Well, I just turned in the first pass of Greenglass House. This was really exciting, because it’s the first set of editorial notes I’ve gotten since a pretty sizeable rewrite I did right before the Greenglass ARCs were printed. You might figure (and you’d be absolutely right) that my editor would never let ARCs go to press if she wasn’t happy with what I’d done. And yet it’s still an incredible relief to have the notes in your hand and see that they’re mostly about weird comma splices and places where you used the same word three times in two pages. Reviewing and approving and fixing all those edits took about a week and a half.

Meanwhile, Rachel is finishing up editing on Bluecrowne, and Miwako is finishing the titling for the cover, which she decided to hand-draft rather than use an existing font. It looks amazing, and I can’t wait to share the final front cover with you. My next task is to write the back text so that we can lock down the back cover; then it’ll be time to tackle Rachel’s notes and get the text locked, too. In the meantime, I have a few guest posts to tackle for blogs who are helping to pass the word about the Bluecrowne campaign.

I also have some prep to do for three upcoming appearances I couldn’t be more excited for.

On April 14 at McNally Jackson Books I’m honored to be helping, along with fellow author-booksellers Sarah Gerard, Carly Dashiell, Fiona Duncan, and Julie Carlisle, to launch Beth Steidle’s illustrated novel The Static Herd, which is being published this month by Calamari Press. Beth is an author, artist, and designer, and also one of the masterminds behind McNally Jackson’s Espresso Book Machine department. I couldn’t be more excited for Beth, or to be reading alongside the amazing women I’ll be joining. It’s going to be a totally varied group of readers–meaning, and I can’t stress this enough, it’s not a kids’ book event. (I, therefore, am going to have to really think about what I’m going to read. After all, as Madeleine L’Engle said, “If the book will be too difficult for grown-ups, then you write it for children.” Maybe Walker’s first appearance in The Broken Lands? Everybody likes a villain. Thoughts?) 

In May, I’m joining Aaron Starmer and Laurel Snyder at NESCBWI for a panel on 5/3 called The Blurry Space of Thirteen. This one’s going to be great, and we all think this is a topic that really needs more discussing in the kidlit world. Many of us get our backs up when younger kids’ books get referred to as YA, as if bookstores were shelving Charlotte’s Web alongside The Hunger Games and teachers, librarians, or authors recommending or writing them for the same readers. But even among the books classified as MG, there’s still a huge age range represented. We serve readers as young as 7 and 8 up to 13 and 14, and while we call this entire range middle-grade, these are very different kinds of readers. We’ll be discussing the need for tackling truly thorny issues in MG. I have high hopes for a truly great discussion.

Lastly, on May 17th at 4pm, in honor of the ABA’s Indies First Storytime day, I’m joining a group of 12 middle-grade authors for a dramatic reading from The Phantom Tollbooth at McNally Jackson Books. This is going to be wicked fun, and I hope many of you will come out to join us. The cast includes such luminaries as Adam Gidwitz, Michael Northrop, Natalie Standiford, Matthew Cody, Jeffrey Salane, Courtney Sheinmel, Kekla Magoon, Sophie Blackall, Claire LeGrand. Barbara Marcus of Random House Children’s Books will be narrating as well as moderating a discussion afterwards. Then we’ll all hang around and sign books. It’s going to be great.

Oh, and this weekend my sister and I are running a ten-mile race neither of us precisely trained for. The heckling from our husbands has already begun.

So that’s the report from Milford Command Central! Basically, yay for a great start, but the heavy lifting’s far from over. Thanks to the early supporters! Keep spreading the word, and let’s make this happen!

K

 

 

It’s Alive! Introducing Bluecrowne.

At last, at long last, Bluecrowne is live on Kickstarter! 

Let me tell you about this story. I’m super-excited about it. I hope you will be, too.

It’s September when the sutler Foulk Trigemine walks into the year 1810 and the Sovereign City of Nagspeake. His mission is twofold: to acquire a particular knife in the shape of an albatross from the a legendary weapons-maker known as the Ironmonger; and, with the help of a peddler called Blister, to locate a special kind of pyrotechnical prodigy known as a conflagrationeer.

Meanwhile, in a brand-new house full of stained glass, Lucy Bluecrowne is about to be marooned. That’s how it feels, at least. Thanks to the threat of war with America on top of the ongoing war with Napoleon, her privateer father has decided it’s time for his family–Lucy, her half-brother Liao, and Liao’s mother, Xiaoming–to live ashore like a pack of landlubbers. And Lucy has never handled being ashore well. 

Then Liao’s genius for fireworks brings him to the attention of Trigemine and Blister, who waste no time in identifying the boy as the conflagrationeer they’ve been seeking. Neither party can afford to lose. With her old life aboard a private ship-of-war about to be gone for good, Lucy has nothing left to fight for but her family. As for Trigemine–not only does his boss, the merchant Morvengarde, not handle failure well, but nobody wants to disappoint the client who’s ordered up the conflagrationeer from him. Morvengarde might be scary, but according to the rumors, not even the Devil wants to tangle with the client.

 

One short novel. 30 days.

Read the first chapter here.

Back the campaign here.

Follow my attempts not to have a nervous breakdown right here at The Clockwork Foundry, and on Twitter.

Bluecrowne in 5…4…3…2…

I’m not going to lie to you. I’m really, really, really nervous. It doesn’t help that the Kairos campaign went so well, because what if, you know? It doesn’t matter that I love Bluecrowne desperately, that the cover is going to be beautiful, that every time I get to return to this world I’m overcome with joy. Because I’m neurotic as hell, I worry about everything, and there is nothing that’s going to make this easy.

Terrified as I am, though, I believe it’s going to be awesome.

Details coming in (checking watch and Kickstarter FAQ page) 48-72 hours.

So…

Watch this space. 

Well, Hey There, September!

I’m not even going to look at when my last blog post was. But three months ago I had a kid, and they were right (because they all told me I would get negative-everything done). I have been getting nothing done.

Except I have been getting some stuff done. Since June 12th, I have done the following, in the following order:

1) Had a baby.

2) Completed my first round of offical Greenglass House edits.

3) Nearly finished Bluecrowne. And by “nearly,” I mean I hit page 155 of what was supposed to stay (for budgeting purposes) under 120, which was roughly the length of The Kairos Mechanism.

4) Conferred with my ace Kid Editors about Greenglass House in preparation for the next round of edits, which I expect to receive this week or beginning of next. Once again, they delivered. These young readers are AWESOME and thoroughly deserve having their praises sung in capital letters.

5) Read the following approximately a hundred times each in the last week alone: 

  • Red Truck
  • Orange Pear Apple Bear
  • Polar Bear Night
  • Wherever You Are My Love Will Find You
  • Brown Bear Brown Bear What Do You See? 
  • If You Want to See a Whale

I have also done the dishes several times.

You’ll shortly be hearing more about Greenglass House. Among other things, Ana and Thea, the fabulous ladies at Book Smugglers, have offered to do a reveal for the cover, so there’ll be that excitement. And the cover is amazing, folks. Jaime Zollars is the artist, and although I’m fairly certain she’s never been to Nagspeake, she managed to capture my beloved home-away-from-home perfectly. (Greenglass House comes out in August of next year, but it’s already available to preorder here and there around the interwebs.)

But since I had initially thought I’d be releasing the next Arcana Project novella this summer and clearly that’s not happening, let’s talk Bluecrowne.

Thing number one: I don’t think I can reasonably call it a novella anymore, since by my best guess it’s going to come in around 175 pages. Thing number two: this throws all my previous calculations out the window. And by “all my previous calculations” I mean my budget. Which is fine, considering I haven’t put together anything in the way of a crowdfunding campaign yet. My initial reluctance to do that before now was due to the fact that I didn’t feel right somehow putting up a campaign when the book wasn’t done. I now see how very pragmatic I was being, even though at the time I thought I was just being paranoid.

There’s also the fact that my slower post-baby writing pace has implications for everyone else involved with this book, including (but not limited to) the wonderful Andrea Offermann, who’s returning for the Bluecrowne cover. 

So here’s the new plan: I’d like to have Bluecrowne to you for the holidays. This still depends on a lot of factors, but I think it’s doable.

I would like not to depend on crowdfunding at some point, but as you see from the progress bar on the right-hand sidebar, I’m nowhere close to having enough in the bank for my original budget yet. Since Bluecrowne’s going to come in so much longer, I’ll be printing fewer paperbacks to start with, but other things like the costs of paying the editor and the reader artists will go up. So there will be a Bluecrowne Kickstarter campaign, I suspect in mid-October, or whenever I get the next Greenglass House edits turned in. And once again there will be a whole bazaar of fun rewards, including another previously-unseen story from The Raconteur’s Commonplace Book in the ebook for Kickstarter backers. (What’s The Raconteur’s Commonplace Book? You’ll have to wait for Greenglass House for the answer to that.) And once again the fundraising will include money to commission a dozen or so young artists to illustrate a special edition. (Don’t want to wait until October to help out? You rock. Click here.)

What will you encounter in Bluecrowne? Well, you’ll meet some new friends and those of you who haven’t yet visited the Sovereign City of Nagspeake will get your first glimpse. But some old friends from all three of my previous books will be returning, too. No, I won’t say who. Not yet, anyway. 🙂 So ends this status report from Milford Command Central. Comments? Questions? No? Great. Here. Have a picture of a few of the research books involved in Bluecrowne, Greenglass House, and The Left-Handed Fate.

20130126_102920

That’s right. I said “a few.”

At Long Last, It’s Time: Introducing The Illustrated Kairos Mechanism

It was the final piece of my original plan for The Kairos Mechanism: a digital edition illustrated by reader artists, one per chapter, each of whom would be paid for his or her work. I was excited about the whole project, but this particular piece–the illustrated edition–was the most special piece of all.

Everybody who got involved with The Kairos Mechanism was excited about the illustrated edition. Several of the co-conspirators donated their (meager) compensation in order to bring additional artists on board. With the help of an amazing group of Kickstarter backers, we were able to raise the amount each artist made per illustration from the originally-budgeted $100 to $125. Meanwhile, with the help of friends, colleagues, a few teachers and librarians and one fairly amazing counselor, I found twelve artists ranging in age from 11 to 20 years of age.

We all worked together to make sure that each artist was assigned the chapter he or she was most excited about (and some lobbied hard to be allowed to illustrate more than one). Beyond making sure that each chapter was covered, I gave no instructions, except where I was asked directly for input. And in September, the finished artwork began to arrive by mail and email. As I mentioned in my previous post, the final piece was hand-delivered to me by my cousin Annie on Christmas Day, the work of 12 year-old Hassan Davenport of Baltimore. Best present ever.

Because I wanted to offer the final edition free or pay-what-you like, I opted to rely on a PDF edition for this version, and last week I turned everything over to Allie Tova Hirsch, a literary designer recommended to me by the good folks at Vook. Allie took my files and created an interactive PDF (correcting more than one of my own formatting errors along the way). And here it is, at long last, complete with not thirteen but eighteen original illustrations.

Please enjoy this book. It is absolutely free if you would like it to be; follow the link and you can decide for yourself whether you’d like it to be complimentary (in which case, leave the dollar amount at zero). However, all proceeds from The Illustrated Kairos Mechanism go toward this summer’s release of Bluecrowne, so if you’d like to become a backer, just enter the amount you’d like to contribute in the dollar field. The artists have also decided to offer prints to help raise the cost of paying the next group of young illustrators for their work, which you can purchase here.

Last of all, please remember that although The Illustrated Kairos Mechanism is offered as a PDF and that you don’t necessarily have to pay for it, the text and all the images are copyright-protected and the rights belong respectively to myself and to the individual artists. If you would like to reproduce anything, please contact me directly about permissions. And if you read the book and would like to share it, please share the download link rather than sharing by any other means. Your friends can still have the book free if they’d like, but I’ll be able to get excited about every copy that’s circulating, which is helpful, and your friends might just contribute a buck or two, which is wicked helpful.

And I guess that’s–oh, right, you want to know where to get that book thing I’ve been talking about this whole time. Click here, and enjoy, with all our thanks for reading!

Sincerely,

Aidan, Candice, Emma, Hassan, Lily, Maeve, Maud, Natalia, Shannon, Reed, Tanner, Victoria, and Kate